Back to technological future.
Nowadays,
artistic events devoted to connections between art and technology are
facing a paradox : how to stand back from technological glorifications,
in a consumerist world constantly saturated by new gadgets?
RIAM (International Multimedia Art Meetings) have always focused on
analyzing and criticizing the technology’s role and the artists way of
appropriate and embezzled it. Even if technology have transformed our
everyday life in a ...
Back to technological future.
Nowadays,
artistic events devoted to connections between art and technology are
facing a paradox : how to stand back from technological glorifications,
in a consumerist world constantly saturated by new gadgets?
RIAM (International Multimedia Art Meetings) have always focused on
analyzing and criticizing the technology’s role and the artists way of
appropriate and embezzled it. Even if technology have transformed our
everyday life in...
A. DÉFINITION
The RAN aims to foster the development of digital arts via artistic, scientific and technical research, production, dissemination and mediation, training and education.
B. COMPOSITION
The RAN is comprised of artistic, scientific and industry research, training, production and dissemination structures working in the domain of digital creation.
C. CODE OF ETHICS
The RAN does not defend any specific artistic or scientific school of thought. The RAN recognizes the d...
http://www.m51.com
http://www.m51.com/Cinema
http://www.m51.com/Phanaerozoic_Aeon
...
You will find enclosed the free pdf files of the number 1 issue of the Digitalarti magazine. It is bellow as en enclosure in low resolution (for faster download) and high resolution (for better image quality). The summary of this issue No 1 is there. Enjoy it and let us know your comments, questions, wishes… by commenting this post or by email at: info at digitalartimag.com ...
CONTENTS
03 EDITO
Digital art, living art, new media art...
04 COMMUNITY NEWS
News from Digitalarti.com
05 MIGUEL CHEVALIER
Artist of the month
07 DIGITALARTI
Digital Art International
08 OTOLAB
Absolute audio-visual
10 SAMUEL BIANCHINI
System art
12 DU ZHENJUN
Human nature revealed
14 MOBILIS-IMMOBILIS
Mobilizing multimedia
16 TRANSQUINQUENNAL
Deus ex machina
18 KURT HENTSCHLÄGER
Sensorial food
22 DANIEL CANTY
Black Box, White Noise, Smoke Screens
...
We are upgrading Digitalarti's version. Please be patient. Sorry for the inconvenience.Regards,The Digitalarti team...
For the 6th anniversary of the Echoppe photographique, why not a selection
of 6 images? As a database, the Echoppe invites you to play with it, to
sample, cross-reference and remix its elements. As a curator, I decided
to reverse the relationship between image and text. In the Echoppe, the
photographs are inspired by words; here, the words are inspired by the
photos -- captions, subtitles, associative thoughts that have been subsequently
sewn into a semblance of a narrative. ...
Who are you? Can you tell us in a few words what you have been doing these last few years?
/ I studied fine arts at the Internet Editorial. I’ve had a computer
since I was 11. I’ve always done art. I remember, as a child, I loved
to send decorated envelopes: it was mail art. My practice was radically
modified by multimedia and especially the net; I dropped my brushes and
my color crayons to throw myself into code, the art of making links.
I also directed videos, but the practi...
INTERVIEW OF NICOLAS FRESPECH IN THE SPECIAL ISSUE OF MCD : WJ-SPOTS#1
/ Who are you? Can you tell us in a few words what you have been doing these last few years?
/ I studied fine arts at the Internet Editorial. I’ve had a computer since I was 11. I’ve always done art. I remember, as a child, I loved to send decorated envelopes: it was mail art. My practice was radically modified by multimedia and especially the net; I dropped my brushes and my color crayons to throw myself into co...
The digital project l'Echoppe (The Stall) celebrates six years of online presence in February. Nearly 1000 photographs have been taken, and they are yours for the taking!
Commande 1782 Consumérisme : représenter la valeur ajoutée du plaisir symbolique présent dans tout achat.
Commandée le 13-09-2008 par zmudska et reçue le 13-09-200. Licence Art Libre
The project is going full steam ahead more than ever, and I invite you to make orders and to wait for the photograph ...
January 21st, 2010 6:00pm - 8:00pmA brief talk about the project by Michael Rees with Don Guarnieri.Social Object: Sculpture and Software is an interactive software installation that includes correlated physical objects with virtual objects. Interacting with this artist authored software creates screen based experiences that construct virtual objects from which physical objects can be derived. The work explores the relationship between language and form and creates a framework for virtual and ph...
Mission
The Chelsea Art Museum, Home of the Miotte Foundation, is committed to an exploration of “art within a context.” This approach favors a program of exhibitions which reflect contemporary human experience across a broad spectrum of cultural, social, environmental and geographical contexts. CAM’s exhibitions, each supported by a rich series of related cultural events and educational programs, seek to support in both its artists and audiences a sense of creativity, community and cul...
Call for entries for the 14th festival of computer-based art CYNETART
TMA Hellerau hosts this international competition of CYNETART, inviting artists and art groups to present their projects, every two years. They can apply with projects that fully utilise digital technologies in their conceptual, creative and performing processes, thereby opening up opportunities for digital performance and their relationship to factors such as time, space, physical presence and social en...
i super like it
rafael rozendaal's new
piece intotime is hypnotic
chromo therapeutic and
hallucinating,
rafael is in a geometric
time,
colors and shapes create
abstractions
before he was more in a
funny time,
if the neen works of
angelo plessas were poetic,
rafael was in the
humoristic side
a sharp sense of humor
like nikola tosic's texts
but in images
...
Hi from Multitouch Barcelona on Vimeo.
Signalé par M.Le. Sur Libération
www.liberation.fr
...
January 22nd to April 26th
Animist, vitalist and machinist, the architecture of “humeurs”
rearticulates the need to confront the unknown in a contradictory
manner by means of computational and mathematical assessments.
The architecture of “humeurs” is also a tool that will give rise to
“Multitudes” and their palpitation and heterogeneity, the premises of a
relational organization protocol.
Crédits /R&Sie(n) / Le Laboratoire - Commissaire de l’exposition Car...
A COLLECTIVE COLLABORATIVE CHALLENGE
A 25 hours live show on the Internet
BE A PARTNER
Join a group of 25 partners from all over the world
> produce a one hour live performance show
> we'll stream on the internet
> display on a public screen
INTERESTED ?
March 2010
Date : March 11, 19:00 > March 12, 20:00 (GMT)
Duration : 25 hours
To celebrate Videoformes 25th international video & digital culture festival, we invite partners to show off their innovating talent...
Last sunday, Stephen Kovatz posted on Facebook an information about Collaborative Futures, a book written in five days (Jan 18-22, 2010) by seven persons : Mushon Zer-Aviv, Michael Mandiberg,
Mike Linksvayer, Marta Peirano, Alan Toner, Aleksandar Erkalovic
(programmer) and Adam Hyde (facilitator).
This book was writtenduring a Book
Sprint in Berlin.
A Book Sprint is a concept of Tomas Krag, then followed by Adam Hyde,
the founder of Floss Manuals. ( Free manuals fro free soft...
Next week, I will fly to Berlin and stay two weeks to take some time to meet new artists, curators and to see art exhibitions.
During the first week, the artist and researcher Mathias Fuchs invited me to the public presentation of Ludic Interfaces on Saturday, 30th Jan 2010 at 11.30 pm to 13.30 pm at HBC Then, I will attend to Amaze
a festival dedicated to art, music and games.
On feb 4th, I will browse in real time into online content of curators,
artists and online creations spec...