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New media and sonic artist, performer and teacher, based in Edinburgh, UK.
He investigates experimental digital interaction among Man, Nature and technology by means of self-designed responsive computing systems. Underpinned by principles of post-modernism, new media studies and open source philosophy, his artistic research encompasses biophysical technology, musical and theatrical performance, and participatory practice.
His works were exhibited and performed in 25 countries across South America, Europe, India, China and Australia, including Venice Biennale, WRO Biennale, Némo, Piksel, Laboral, Pure Data Convention, Linux Audio Conference and EMAF.
Press features include Wired, We Make Money Not Art, Rhizome, Turbulence.org and Micro Art in China. Artist in residence at Inspace (UK) and National School of Theatre and Contemporary Dance (DK). Funded projects by the European Commission and the Danish Arts Council. Nominated for the Screengrab New Media Award and first prize at BLM International Electroacoustic Music Award.
Since 2007 is a director for the Live Performers Meeting. He is also an associate at CIRCLE, a group of researchers and creative practitioners based in Edinburgh and elsewhere.
Friends and colleagues Koray Tahiroğlu and Atau Tanaka are organizing this interesting workshop at CultureLab Newcastle. Highly recommended. Here the former call. Dear colleagues and friends, We would like to thank everyone who responded to our survey on Mobile Music Interfaces, and we would like to inform you that one of the outcomes is a [...]...
This event looks very good, free, great music and performances in Berlin. Wish I could attend. Performances by Echo Ho (DE/CN), Mario de Vega (MX), Alex Nowitz (DE), Ignaz Schick (DE) Thursday, 26.01.2012 8pm – Performances from 9pm Free Entry (or donate what you like) Following the first event event of the BodyControlled series, BodyControlled [...]...
Just received this interesting and specific looking call. SCANZ 2013: THIRD NATURE Call for projects The concept of a third space – a zone of hybridity – traverses the cultural landscape from the writing of Homi Bhabba in the mid 1990s, to Sony advertising (see hypertext.rmit.edu.au/dac/papers/meguire.pdf). Hybridity is now embedded in creative and cultural production [...]...
April 12-15, 2012 @ CCRMA, Stanford University http://lac.linuxaudio.org/2012/ Online submission of papers, music, installations and workshops is now open! On the website you will find up-to-date instructions, as well as important information about deadlines, travel, lodging, and so on. Read on for more details! We invite submissions of papers addressing all areas of audio processing [...]...
**Extended deadline for submissions Friday 20th January 2012** The Inventor Composer Coaction is a novel project designed to facilitate collaboration between composers and developers of bespoke digital or electronic instruments, for the creation of new music. It will take place at the Department of Music, University of Edinburgh, during the first half of 2012. We [...]...
I’m glad to see this archive available on-line again. Here’s a forwarded message by Derek Holzer. “After a 10 month hiatus, the Soundtransit project is back thanks to the generous hosting support of Turbulence.org. SoundTransit is a collaborative, online community dedicated to field recording and phonography. Phonography is the art of recording sounds from the [...]...
Pillow Talk – a series of projection for performance documentaries, organized by Japanese media artist Yamaguchi Noriko. “Performances cannot be shared by people of all the time, however much appreciation they received. Since they are consumed immediately and become “something that happened” very soon, their records should be all the more important. However, documentary movies [...]...
Job posted by Institute of Electronic Music and Acoustics/ University of Music and Performing Arts Graz (23/11/2011) PhD student in Sonification Research (Audio Engineering/ Climate Science) Applications are invited for a postgraduate student to join the Institute for Electronic Music and Acoustics (IEM, http://iem.kug.ac.at) at the University of Music and Performing Arts Graz for the [...]...
The Pixelache Software of the Year 2012 title is this time given to din – din is noise. din is a Free software musical instrument exclusively for the GNU/ Linux operating system made by the Indian programmer S. Jagannathan. din – din is noise presents an innovative way of generating live music from a simple [...]...
WHO: International Artists WHAT: 1-3 month residency WHERE: APO33, Platforme Intermedia – Nantes, FRANCE WHEN: Mid April – May or August – October 2012 APO33 a not-for-profit association/artists collective founded in 1997 in Nantes, France. APO33 research practices cross philosophy, poetry, visual, architecture, sonic arts and anything else that may arrive through collaborative working. APO33 [...]...
From http://giss.tv/wiki/index.php/Android_Streamer_:_Giss_Mp3 : GISS Mp3 v 1.0.0 This is the first GISS Audio Streamer application in .mp3 format as this is the format supported on any version of Android. You should enter your stream parameters and type ‘Start’ to start your stream. Synopsis Enter the stream server parameters in the main screen, than go to [...]...
After Re:Wire the forth international Media Art History Conference held this October in Liverpool International Artists and Scholars published a Declaration for international and sustainable Support for Media Art Research, Documentation and Preservation. To add your signature go to www.mediaarthistory.org ———————————————————————————R...
Marco Donnarumma - Music for Flesh II - Interactive performance for enhanced body, 2011
eContact! 14.3 -- Biotechnological Performance Practice
eContact! extends an open call for contributions to an issue focussing on the use of the body in electroacoustic performance practice, coordinated by Guest Editor Marco Donnarumma. Performers, composers and others are encouraged to contribute their perspectives on the role or position of the body in experimental practices of mu...
In few days I’ll be gladly coming back to Bergen, Norway to perform the interactive music piece for enhanced body Music for Flesh II and present the free, open source biophysical technology Xth Sense. Below the full and exciting program of this year edition. Don’t miss some of the finest and most inspiring free, open [...]...
Rodrigo Costanzo, a Spanish-American avid performer based in Manchester is teaching a free circuit bending workshop. All you have to do is bring along what you want to hack! “If you want to sign-up or drop in, check it out: Title: Circuit Bending Workshop Location: MadLab Description: If you’ve ever wanted to get into circuit-bending [...]...
I’m glad to see this publication out there. From the press release: “The Miller Gallery at Carnegie Mellon University and the STUDIO for Creative Inquiry have co-published “New Art/Science Affinities,” a 190-page book on contemporary artists that was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans and Pablo [...]...
The Xth Sense (XS) is a free and open source based technology; as such, its free distribution is an integral aspect of the research. In this workshop participants build their own XS biosensor and learn how to generate interactive music from the muscle sounds of their bodies. Winter workshops schedule: 7o Simposio Internacional del Posgrado en Artes [...]...
The Xth Sense is a novel, biophysical system that enables a performer to control and process interactive music generated in real time from her muscle sounds. This research and the related model of biophysical music was presented to the Asian academic community on 22nd October in occasion of the SICMF/KEAMS 2011. The engagement was endorsed by Creative Scotland. [...]...
Upcoming performances, workshops, talks and a call for papers:
http://marcodonnarumma.com/next/october2011/
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Info: In this workshop you will build your own low budget hydrophone with adjustable pre-amp. Ideal for beginners. A hydrophone is a microphone designed to be used underwater for recording or listening to underwater sound. Once the amp and hydrophone are complete we will then do some field recordings of near by canals, from a [...]...
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