Matthew Biederman


For a full list of projects please see: www.mbiederman.com

Bio:

b. 1972, Chicago Heights, IL, USA

Matthew Biederman works with the electromagnetic spectrum as base material in all of his explorations. He explores questions surrounding the spectrum from policy to perception through tactical media projects, performances, installations, and workshops. Biederman was the recipient of the Bay Area Artist Award in Video by New Langton Arts in 1999, First Place in the Visual Arts category of Slovenia’s Break21 festival, and has served as artist-in-residence at the Center for Experimental Television on numerous occasions.

His installations have been exhibited worldwide in a variety of festivals and venues such as 7th ATA Fesitval (Lima, Peru), Oboro (Montreal), ZeroOne (San Jose) and the SCAPE Biennial of Art in Public Space (Christchurch, New Zealand) As a film and video maker, his works have been included in, among others, the FILE festival (Sao Paulo), New Forms Festival (Vancouver), the Edinburgh Fringe Festival, Paris/Berlin International Meetings, and the Chicago Underground Film Festival.

As a performer, he has developed his work through various settings to stimulate new work methodologies, via site-specific works at SIGGRAPH and DARE-DARE, residencies at the Makrolab, and various other projects. He has worked alongside numerous musicians since 1999, performing at the historic Theatre du Chatelet (Paris), Ars Electronica (Linz), the AV Festival (Newcastle), Hipersonica (Rio de Janeiro) and many others. Since 2004 he has participated on a long-term collaboration with the Projekt Atol / PACT Systems team performing and developing the visual display systems for their Signal-Sever! / SCATTER! / Spektr! events. These performances have been featured at festivals such as Futuresonic (UK), ISEA (Helsinki/Singapore), Nuit Blanche (Paris), and La Batie (Geneva). As a visualist, his performances have been featured at festivals such as Elektra (Montreal), MUTEK (Montreal), Flow (Helsinki), and Version (Museum of Contemporary Art Chicago).

He is currently engaged in the Arctic Perspective Initiative working towards the construction of free, open information sharing infrastructures for the circumpolar region.  Please see: http://www.arcticperspective.org


Biederman is currently represented by Art45 and lives and works in Montreal, Quebec.



Matthew Biederman's blog

Arctic Perspective Initiative - Exhibition

API team expedition to Foxe Basin, Nunavut, Canada, July 2009. Photo: Matthew Biederman Arctic Perspective Canada House, Trafalgar Square, London, UK 21 May to 30 September 2010, weekdays 10am-5.30pm Arctic Perspective highlights the cultural, geopolitical and ecological significance of the Arctic and its indigenous cultures. In collaboration with the people of Igloolik, Kinngait, Iqaluit, Mittimatalik and Kanngiqtugaapik in Nunavut, Canada and other Arctic communities, arti...

Orobouros @ Imges Festival - Toronto

Ourobooros, or Vertical Bars matched horizontally one by one (2008) will be shown at Interaccess Media arts Center in conjunction with the 23rd International Images Festival. You can find it in the 'off-screen' section. April 3rd - May 1st, 2010 ...

Iterating Color Field, Sorted and Measured Three Times

user
Director: Matthew Biederman.
2008
HD Projector, custom software, computer, three stainless steel rulers.

#3 in the [un]limited color series.

Software endlessly draws and erases a series of vertical color fields, and projects them onto a wall and set of rulers. The rulers measure the constituent colors of the field. The rulers then sort the colors based on the amount of red, green, and blue in each vertical stripe.

The top ruler measures and sorts based on the amount of red (the more red the stripe is, the further to the right the stripe) the middle is green and the bottom is blue.

gLUTton Fig.1 @ Nuit Blanche Montreal

2010Generative digital wall drawing2 HD Projectors, 2 Computers, custom softwareInvited by Gallerie PUSH for Nuit Blanche, Montreal.Following a set of rules for the drawing, perspective is continuouslydistorted. The shifting colors either push or pull, and sometimes both.In Collaboration with Art45Special Thanks to:HC Giljiel'iACT/UdeM institut Arts Cultures Technologies full video and details here....