Martin Bricelj Baraga is a visual media artist and cultural activist.
His works, audiovisual performances and several collaborations research
the relation between man and machine, social aspects of contemporary
pop culture, future monumentalism and political dimensions of our
mediated realities.
He has exhibited in many galleries and spaces worldwide: ICA in London,
Sonar in Barcelona, Columbia University in New York, Centro cultural
Recoleta in Buenos Aires, Kunsthaus Graz, Kaapelithas in Helsinki,
Museums Quartier in Vienna and many others. His work has been reviewed
and published by boingboing.net, Pecha Kucha, the New York Art
magazine, Harper Collins, El Pais, Actar, Mladina and others,…
He is the director of Spring Festival in Ljubljana (an open air
festival of electronic music and visual arts) and started
artistic-curatorial initiative MoTA - Museum of Transitory Art, which
is the first AiR programme in Ljubljana and a network of foreign
artists, curators in the so called ‘East’.
He is author of interactive works based on creation of new situations
in public space, a term he understands very broadly: comprising
anything from actual city spaces to virtual worlds.
In his works he positions time as a key element, as his works are often
time- based and processual. He aims to engage a broad audience, even
masses in creation of the work. The materialization of the work- the
actual object- is often only the trigger which initiates the project,
which is then evolving in interaction with its users. His work is
marked by a fascination with media and technology combining it with
concepts of science fiction- as an author, he defines his language in
relation to contemporary everyday life, politics and pop culture. In
this sense all his works can be understood as social experiments, which
research artistic representation and production in extraordinary
contexts as well.
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