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Magazine available in Print, Interactive, iPad & PDF versions
 The International Digital Art & Innovation Media.
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 Le Magazine international de l'art numérique et de l'innovation
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"exceedingly cool tech-art mag" Wired.com, Feburary 11, 2011
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Invited Artist
Selection of the content of the invited artist by digitalarti since 2010
LSP is a research trajectory exploring the relationship between sound and three dimensional image by means of laser projection. In 1815 Nathaniel Bowditch described a way to produce visual patterns by using a sine wave for the horizontal movement of a point and another sine wave for the vertical movement of that point. The shape of the patterns depends on the frequency and phase relationship of the sine waves. The patterns are known as Lissajous figures, or Bowditch curves.
LSP inter...
Spatial Sounds (100dB at 100km/h) is an interactive audio installation by Marnix de Nijs and Edwin van der Heide. In this engine-powered installation, a speaker is mounted onto a rotating arm that is several meters long.
Like a watchdog, the machine scans the surrounding space for visitors. Closer investigation would be tempting fate, with the rotating arm swinging so powerfully round. You hear the impressive sound of the mighty motor revving up, turning faster and faster. You can ...
Edwin van der Heide is an artist and researcher in the field of sound, space and interaction. He extends the terms composition and musical language into spatial, interactive and interdisciplinary directions. His work comprises installations, performances and environments. The audience is placed in the middle of the work and challenged to actively explore, interact and relate themselves to the work.
He has presented his work at renown museums and festivals as SMAK - Ghent, Ars Electronic...
Can you tell us more about the Blue Rider initiative in China? It’s aesthetically attractive and very intriguing. It’s also difficult to separate analog and digital—what this purposely made?
The Blue Rider project has a very clear objective—we wanted to free our work from the gallery and show it to people. It’s a project about mobility. We’ve had the idea for a while and the Shanghai World Expo was a fantastic opportunity. The idea was to travel across China on an electric ...
Created in 2007, VS is a collective whose projects are guided by a focused thought process on the current position of digital media for the city of the future.
The primary goal of VS is to assemble a variety of digital artists across a range of disciplines: images, sound, design, programming, architecture. VS has deep faith in such collective work process and believes wholly in the idea of involving a range of contributors – including the general public – to participate in such a creative p...
The project freeze in the space a cloud of fireflies taking their flight, swarm simulated by a suspended plexiglas structure that are submit to a meticulous electronic work.
A series of gouaches on paper dialogue with this installation which the discursive potential is political as well as poetic.
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Born in Paris in 1975, Stéfane Perraud studied at L’École Nationale Supérieure Des Arts Décoratifs de Paris where he specializes in scenography, as well as in multimedia tools.
Today, he realizes multimedia projects mixing new technologies, scenic devices, contemporary art, theater and dance. In 1999, he creates the Studio PétaHertz which receives artists’ residencies every month. His first interactive show, Pas du tout, wrote in 2003, was show in Émergence La Villette, at Main...
Artist, teacher, engineer and composer, Golan Levin has been combining all of his skills to create interactive works. His creations involve the eye (“Double-Taker (snout), Opto-Isolator, Eyecode, Reface (portrait sequencer)”…), the gesture (“Interstitial Fragment Processor, Scrapple, The Manuel Input Workstation, Interactive Bar Tables”…), the voice and the ear (“Ursonography, Messa di Voce, Dialtones a telesymphony)”…) or graphic software (“Self-adherence (for writt...
All the kids of my generation who enjoyed the rules and games of mathematics remember the Victor Vasarely circles on the cover of their school books. Like a UFO landed in the south of France,on the top of a hill in Aix-En-Provence, the Victor Vasarely foundation has been rising since 1976, as an apparition of the future, a statement of 60's (not to say 20's) creativity... A pact between art and architecture.
Reactivated by the team of an ambitious but human sized electronic art fest...
The project takes as a starting point Brussels' 145 m high Dexia Tower, from which 4200 windows can be individually colour-enlightened turning the building into an architecture of light.
The enlightening of the tower is based on its architectural and urban characteristics, using parameters such as its orientation, volume, scale, propositions... to set up a spatial, temporal and luminous concept, which moreover allows people to directly interact with the tower.
From a specific desi...
The f5x5x5 sculpture is a kinetic and luminous framework conceived and realised by LAb[au]. In software development, a framework is a methodological tool based on re-usable chunks of code, code libraries or other software pieces to assist, to develop and to glue together the different components of a software project. In regards to the f5x5x... installation the term 'framework' refers to the installation's constituting elements, a raster of fix and kinetic aluminum frames.
The instal...
˚ 1997, Brussels, Belgium
Manuel Abendroth, Jérôme Decock, Els Vermang.
LAb[au] is an artist group located in Brussels, Belgium. It has been founded with the aim to examine the influence of advanced technologies in the forms, methods and content of art. With a background in architecture their members and projects are concerned with the construct of ‘space’ and the way it can be planned, experienced and conceptualised in an information age.
Even if their projects can be classified ...
Nabaz'mob, opera for 100 smart rabbits by Antoine Schmitt and Jean-Jacques Birgé
100 Nabaztag smart rabbits play together an opera specially composed by Antoine Schmitt et Jean-Jacques Birgé.
Evoking John Cage, Steve Reich, Conlon Nancarrow and György Ligeti, this musical and choreographic score in three movements, transmitted via wi-fi, plays on the tension between the orchestral ensemble and the individual voices to create a strong and involved showpiece. This opera questions...
Visual artist, Antoine Schmitt creates artworks in the form of objects, installations and situations of minimal and radical aesthetics, to address the notion of self movement, as shape and as point of view.
Heir of kinetic art and cybernetic art, nourished by the philosophical side of science-fiction, he reveals and literally manipulates the forces at stake, to question the modalities of the free being in complex systems of reality. Originally programming engineer, he places the program,...
Golan Levin develops artifacts and events which explore supple new modes of reactive expression. His work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. Through performances, digital artifacts, and virtual environments, often created with a variety of collaborators, Levin applies cr...
Third Person is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary conjugated in the third person. The portrait of the viewer is drawn in real time by active words, which appear automatically to fill his or her silhouette. The collector may choose to display the words in English, Spanish or French, or a combin...
1,000 Platitudes is a large-scale photographic intervention project. It is comprised of photomontages and a video with 1,000 words or expressions commonly used to promote globalised cities to potential investors, such as "open", "modern", "clean", "multicultural" and "cosmopolitan", for example. To make these images, a powerful projector (110,000 ANSI lumens of intensity for images of up to 70 x 70 metres) was placed on a 12-ton truck wit...
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada.
Electronic artist, develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerized surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatron...
2001, experimenting
Creation of the French Cultural Center in Palermo, Sicily. Naziha and Yacine laid the foundations for their artistic creations in formulating the overall design of the French Cultural Center in Palermo: they integrated the virtual networks into the physical architecture of the premises.
“We wanted a transversal structure so that the online resources of the cultural center could be used by other cultural centers across the world. It made sense to share ...
Created in 2000 by Naziha MESTAOUI, architect and artist, and Yacine AIT KACI, director and artist, Electronic Shadow focuses its research in the physical relations between space and image.
Using its patented space/image projection system, Electronic Shadow has many exhibits to its credit (e.g. at MOMA in New-York, Museum of Photography in Tokyo, the Centre Georges Pompidou and La Villette in Paris, the French cultural center in Milan, the MoCA Shanghai,…).
It won the...
An interactive sound and light installation with body and skin from public
"Contacts" or "Lights Contacts" is an interactive artwork perceptible by two people or more. This sensory installation is tactile and sonorous. It proposes an original and interactive staging among spectators’ bodies. They are transformed into real sonorous human instruments. In a poetic way, we invite the spectator to question the perception of the other one.
This a...
The spectator enter inside a fantastic forest, with a flashlight. The fluorescent flowers react by a sound to the modifications of luminous flows. Each flower camouflaged light sensors in their pistil.
http://www.scenocosme.com/alsos_e.htm
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Installation for 1200 battery-powered alarm clocks and CNC-cut Styrofoam structure.
Coincidence Engines is a series of works conceived in homage to the Poème Symphonique for 100 Metronomes, a work by 20th-century Hungarian composer György Ligeti who used metronomes not simply to keep musical time, but as generators of sonic events.
Coincidence Engine One consists of a precisely fabricated expanded polystyrene foam construction whose form evokes an amphitheatre. Within this structure,...
[The User] is a contemporary art collective comprised of architect and installation artist Thomas McIntosh, and composer and sound artist Emmanuel Madan. The duo’s collaborative projects re-imagine relationships between technological systems, culture and human experience in striking ways.
Formed in 1997 in Montreal, [The User] has attained wide international recognition in international media arts circuits. The Symphony for Dot Matrix Printers project has toured extensively on the inter...
"Move 36" makes reference to the dramatic move made by the computer called Deep Blue against chess world champion Gary Kasparov in 1997. This competition may be characterized as a match between the greatest chess player who ever lived and the greatest chess player who never lived. The installation sheds light on the limits of the human mind and the increasing capabilities developed by computers and robots, inanimate beings whose actions often acquire a force comparable to subje...
Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living organisms. His visionary integration of robotics, biology and networking explores the fluidity of subject positions in the post-digital world. His work deals with issues that range from the mythopoetics of online experience (Uirapuru) to the ...
Lambda print on diasec,. 40x30 cm 61 x 91,5 cm.
N°1/3
Dislocation II is a series using several mediums. It portrays office furnitures in different states of decay. The dislocated furnitures are created with the same computer files that are translated by synthetic processes and fast prototyping. This series is inspired by the increasing aestheticization of destruction in the media. It questions the relation between a form and a matter. When does a destructed object become unreco...
Generative installation, photographies
* The visitor's fingerprint is used to create a topography. A video game engine renders the image in real time. The software covers this unique glacial space randomly until some other visitor leaves his fingerprint on.
...
* Born in Paris.
Grégory Chatonsky currently resides in Montreal and Paris.
He holds a philosophy master’s from the Sorbonne and a multimedia advanced degree from the Ecole nationale superieure des beaux-arts in Paris. He has worked on numerous solo and group projects in France, Canada, the United States, Italy, Australia, Germany, Finland and Spain. His works have been acquired by public collectors such as the Maison Europeenne de la Photographie.
In 1994, Chatonsky founded a net.art ...
MMIX
by nicolas clauss
coproduction L'espal
http://www.flyingpuppet.com/shock/2009/
MMIX (Roman numerals for 2009) is a timeless
work in four interactive tableaux, where each visitor is invited
to follow with his eyes and ears what his mouse gestures reveal.
At each caress, sound and visual elements get randomly muddled
up on the screen creating alw...
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