Creating an intrigue shared among the laboratory, the university, the studio, and society, publicly addressing the questions that arise via artistic interventions or the scientific imagination, testing the effects of a prototype through artistic works, is to act beyond cultural boundaries.
Prototypes by Michael Jarrell meet the language of Heiner Müller, by Sarkis who reintroduces the idea of randomness lost in Roaratorio by Cage. Jonathan Harvey's prototype and dream of a talking orchestra, Gérard Pesson's theatre of lights and a "sensation keyboard", a monumental first for Tristan Murail combining an orchestra with virtual and real choruses.
The enigmatic nature that belongs to the artistic prototype, detected by Proust in Vinteuil's septet, to be an "enduring new thing".
In SoleNoid β, Peter William Holden's system, robots are tap dancing, autonomous or controlled by the public thanks to sequencers. The robots are programmed to produce the perfect tap dance moves, so you can enjoy the tap dance sounds and pleasure easily. A funny way to have a try with this dance without having Fred Astaire's feet.
...
From March 8th to 18th, 2012, Exit Festival focuses on Low Tech throughout a huge exhibition, video selections, performances, theater and dance.
Let's take a walk in this poetic universe…
...
Dimanche Rouge #12
@ Petit Bain, 15 JANVIER 2012, 17H-23H
Experimental Performances
Multimédia, danse, vidéo, son, performance art, spoken word, installations
ENTREE GRATUITE
Pour cette 12è édition, Dimanche Rouge vous invite à découvrir une
soirée de performances expérimentales et une after-party DJ le dimanche
15 janvier, de 16 heures à 23 heures. Nous sommes ravis d'annoncer que
not
Dimanche Rouge #12
@ Petit Bain, JANUARY 15 2012, 5pm-11pm
Experimental Performances
Multimedia, dance, video, sound, performance art, spoken word, installations.
FREE ENTRANCE
For this 12th edition, Dimanche Rouge invites you to discover an experimental performance event and an after-party DJ this January 15 from 5pm to 11pm. We are happy to announce that our 12th edition (and first anniversary!) is happening at the Petit Bain. Since our creation in february 2011, Dim...
We have one week left for our Kickstarter campaign to fund a "single-channel" version of our Dance Media Art Work now showing in Xi'an at the 2011 International Horticultural Expo Water Stage. Thanks for your support!
...
Saturday, August 5, 10:00 pm, under the Mir space station, Cité de l'espace (Night of Stars), Toulouse, France
Choreography: Anne Holst & Jean-Marc Matos
Interactive scenography, sound, light: Grégory Lasserre & Anaïs met den Ancxt (Scenocosme)
Dancers: Aude Miyagi & Julien Lecuziat
This dance performance explores the tactility of the body and the body-technology convergence. Costumes with incorporated wearable computers allow for the sensations of touch between two b...
CorpusMedia is a Euro-regional platform for the networking of
contemporary digital performance focusing on choreographic composition
and the development of digital tools for performance making. Created in
2007 in the Euro-region of the Catalonia, Midi-Pyrénées and
Languedoc-Roussillon, the platform is dedicated to artistic-scientific
research, outreach, and touring of artistic productions with the
objective of opening the access to contemporary digital performance
culture within the region.
In 2011, the platform made of the company K. Danse (Toulouse), the
collective Erre que erre (Barcelona), the company Yann Lheureux
(Montpellier) and Es Baluard Museu d'Art Modern i Contemporani de Palma
(Mallorca, balearic Islands), organises four specific events in
different cities and spaces of the connected regions.
"the body does not exist; it is nothing but connective tissue"
Tactile Sensations is a dance performance
questioning both touch and vision set in an interactive musical and luminous
environment where the augmented bodies of two dancers meet. Its light format makes
it easy for the performance to be presented in non-conventional spaces -
indoors or outdoors. The scenography (reactive costumes and sensitive circular
dance floor) can easily be installed on any given flat surfac...
Contemporary dance and multimedia performance for three female
performers,
Choreographic trio inspired by Hélène Cixous’ The Laugh of the Medusa
and Australian poet Diane Fahey’s feminist poetry, Genesis 3:16
un-occults woman as a concept and exposes classical
representations: women stuck in mythological stereotypes in the interest
of power, women having to express according to dominant male discourse,
"Digital performance" platform www.k-danse.net/corpusmedia
Edition
2010: May 26-29, Mix'Art Myrys (Toulouse),
June (Montpellier), July (Palma de Mallorca)
CorpusMedia
is a Euro-regional platform for the
networking of contemporary digital performance focusing on choreographic
composition and the development of digital tools for performance
making. Created in 2007 in the Euro-region of the Catalonia,
Midi-Pyrénées and Languedoc-Roussillon, the platform is dedicat...
Instructor: Dr. Kenneth Fields
Canada Research Chair in Telemedia Arts; Associate Professor of Music
Univ of Calgary Credit offered for remote participation
(registration info below).
Syneme will hold a ground breaking summer workshop on TeleArts
from July 5-23, 2010, at the University of Calgary in Alberta, Canada
at the foothills of the Canadian Rocky Mountains. The workshop explores
the collaborative potential of mixed media/reality and live performance
over high-speed networks using the power of 1 gigabit research networks.
Real-time distance collaboration and performance will be the focus of
our exploration. Syneme’s Telearts summer workshop aims to attract
professional artists and musicians without year-round access to
high-speed networks. Attendees will implement projects utilizing
Syneme's (and those of our partner's) robust network infrastructure that
carries HD video and uncompressed multichannel audio. A major focus of
the course is to share ideas/methodologies in progress as related to
telearts projects. The workshop will conclude with an international
networked, real-time collaborative performance.
Syneme’s partners include the Banff Centre, Mcgill and Concordia
Montreal, IDC Emily Carr, CEMC and Peking Univ Beijing, NUS Singapore,
SARC Belfast, University of Waikata NZ, City University of Hong Kong,
Bournemouth UK, and Stanford and Indiana Purdue US.
Workshop Schedule:
April: Announcement
April - May: Registration
May: Project proposals
June: Remote pre-collaboration (discussion, brainstorming)
July 5th, 7th, 9th: First Week Classes
July 12, 14, 16: Second Week Classes
July 19, 21, 23: Third Week Courses
July 23rd or 24th: Performance All Day
August: Documenting and Online Summaries
The Syneme tele-performance lab includes the use of a 1Gig fiber optic
research network link, Apple computers, Sony and Canon HD Cams, Lifesize
Express Teleconference system, Lemur OSC controller, photographic
lights, Neuman and AKG microphones, 2 Panasonic HD projectors,
Blackmagic Multibridge pro video card, RME audio interfaces and state of
the art performance spaces.
For initial inquiries, please contact Ellen Pearlman
(elpearlm@ucalgary.ca) or Ken Fields (kfields@ucalgary.ca).
We encourage you to register and make plans for travel and accommodation
(if attending on-site) as soon as possible especially if you have to
attain a visa.
First Step: Send an Email to Syneme
Please email the following information to
kfields@ucalgary.ca.
This information is informal and just for the Syneme Summer Institute
staff so we can know who you are and what you are thinking of working
on.
NAME:
ADDRESS/COUNTRY:
EMAIL:
PHONE:
Attending Onsite or Remotely:
Proposed Title of Project:
Brief Description of Project:
Your area of expertise:
If attending as a distance participant, please provide the name of the
institution and your contact supervisor. Include a description of the
studio/lab you will be working in including technical specifications for
distance connectivity. Alternatively, contact us so that we may find a
potential university partner in your region.
If you have further questions, please contact Ellen Pearlman
(elpearlm@ucalgary.ca) or Ken Fields (kfields@ucalgary.ca).
Second Step: Registration Information
The course number is FINA507/607 (SUMMER TERM, 2010)
FINA 507 Section B50 is taught on-campus
FINA 507 Section B60 is taught on-line and is for those not in Calgary,
taking the course as an Open Studies or Visiting Student
FINA 607 Section 50 is taught on-campus and is for students in graduate
level programs.
For University of Calgary undergraduate and graduate students, please
register as usual for the on campus section (B50 or 50 respectively)
For visiting students who want credit for this course to transfer to
their home institution, please fill out this form indicating if you are
taking the course in person or by distance: http://www.ucalgary.ca/admissions/visiting_exchange
You do need an unofficial transcript from your post secondary school or
university, a non-refundable $35.00 application fee and the
application/registration form.
For the FINA 507/607 course only you do NOT need: English language
proficiency, high school transcripts, or a letter of permission from
your home institution. If you are taking other courses as well, these
may be required.
Costs are:
FINA 507: $524 (tuition), approx $125 in general fees
FINA 607: $685 (Tuition), general fees will assessed consistent with a
students program
Those taking the course for audit (ungraded, no credit) pay half the
tuition
You can drop-off, FAX or mail (no email please) the enrolment form to:
ENROLMENT SERVICES
MLB 117
University of Calgary
2500 University Drive N.W.
Calgary, Alberta, Canada T2N 1N4
Telephone: (403) 210-7625
Fax: (403) 289-1253
Information Sheet
Questions for International Students about visas, expenses, logistics
and any other issues, please contact: Ricky Ramdhaney, Manager,
International Student Programs.
Tel: 403-220-7865 Fax: 403-289-4409
email
ricky.ramdhaney@ucalgary.ca
Web: www.ucalgary.ca/uci
For information about accommodation for on-site campus housing at the
University of Calgary, contact: the Hotel Alma. http://www.ucalgary.ca/hotelandconference/hotel . See the "Summer Housing" link on the
left hand side of the page.
Residency: 17-23 April 2010, National Center for Live Performance Writings, La Chartreuse, Villeneuve-Lès-Avignon (near Avignon)
www.chartreuse.org
Echo Room questions the domination of the other and the structure of relationships between men and women. The choreography draws on the dialectics of the body which is inherited and socially constructed on the one hand, and lived and free to make choices on the other. The uncontrollable is juxtaposed with the controlled and imposes itself li...
Echo Room questions the domination of the other and the structure of
relationships between men and women. The choreography draws on the
dialectics of the body which is inherited and socially constructed on the one
hand, and lived and free to make choices on the other. The
uncontrollable is juxtaposed with the controlled and imposes itself like
an echo of the past.
Echo Room deals with the simultaneo
Video coverage excerpt @ fêtes de la danse, Centre Ballavoine, Arques (France) October 9 2009
Solo performance by Butho dancer Magy Ganiko, Furymoon company
Interactive lighting and video, scenography, Fred Périé
Lightings and stage manager, Jérome Chaleix
Musical illustration, Philippe Desclais
Video coverage Claudie Chaize et Marie Rouault
concert JIMMACHINe
RENNES
http://myspace.com/labascule
24 octobre 2009
20 h
5e
http://myspace.com/julienottavi
http://myspace.com/sylvainduigou
http://myspace.com/meishin13
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