Performer, new media and sound artist, teacher, Marco Donnarumma was born in Italy and is based in London. He is a PhD student at Goldsmiths, University of London, funded by the European Research Council and supervised by Prof. Atau Tanaka and Dr. Matthew Fuller.
Marco looks at the collision of critical creativity with humanized technologies. He is known for his body-based performance works with custom open biotechnologies and physical interactive systems. He is a Harvestworks Creativity + Technology = Enterprise Fellow (New York, US) with support by the Rockefeller Foundation.
Marco has performed and spoken in 50 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals and venues (FILE, Panorama, EMPAC, New York Electronic Arts Festival, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference @ Stanford CCRMA, SICMF). He curated a comprehensive journal publication on biotech and performing arts entitled Biotechnological Performance Practice (eContact! 14.2). His writings have appeared in the Leonardo Electronic Almanac (MIT Press), in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US), and several times in specialised conference proceedings.
His biophysical system Xth Sense won the 1st prize in the Margaret Guthman Musical Instrument Competition (Georgia Tech, US). He has been artists in residence at STEIM (NL), Inspace (UK), and National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council. His projects have been reviewed on BBC, Reuters, Wired, RTVE, El Pais, Weave, Create Digital Music, We Make Money Not Art, Rhizome, and Digicult.
Currently, he investigates how body theory can provide perspectives on the design of combined biosensing and machine learning technologies for music and the performing arts.
I notice that you publish in english in the french version of Digitalarti.
there's an english version (top, left) that you can choose to edit in english.