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[jeromejoy.org] Jan. 2010 - Sobralasolas performance (premiere in Berlin)

1.— JAN 2010 - SOBRALASOLAS ! EP. 2 - PREMIERE (GER)
2.— JAN 2010 - NMSAT, PAPERS, CONTEMPORARY MUSIC REVIEW (UK)
3.— JAN 2010 - NOCINEMA.ORG, TOKYO WONDER SITE (JAP)

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17 Jan, 2010 - Network Performance
........................................................................
SOBRALASOLAS ! 2nd episode (Mike-Heads) (2010)
PREMIERE in Berlin
Para-sites radiopera for live streamed and recorded sounds
http://sobralasolas.org/

with Caroline Bouissou, DinahBird, Björn Eriksson, Emmanuelle Gibello, Jérôme Joy, Kaffe Matthews and with winks from Gregory Whitehead.
A network performance and radio opera for Art's Birthday 2010 in co-production with DeutschlandRadio Kultur and Ohrenstrand Festival.
Sobralasolas ! ep. 2 is commissioned by DeutschlandRadio Kultur.

Location :
Pfefferberg Haus 13
Schönhauser Allee 176
U2 Senefelderplatz/ N2
10119 Berlin

Sunday, January the 17th
Performance at 9:30pm

Informations :
http://www.dradio.de/dkultur/sendungen/artsbirthday/1091796/
http://www.pfefferberg-haus13.de/
http://www.ohrenstrand.net/programm/100117-2.html

Episode 1 (2007-2009) was based on a series of remote live streamed sessions and sound file exchanges between players that were composed and released on CD (AVATAR/Ohm) in August 2009. (http://www.lenomdelachose.org/vacuohm/ and distribution in France by Metamkine, http://www.metamkine.com/)
This new episode will take the form of a live network performance. The performers, each based in different areas of the world, will improvise live, according to a loosely defined score that team have been developing. As the performance unfolds the listener discovers a multitude of possible stories and un-imaginable exchanges.
Episode 2 will be online played and relayed by EBU/DeutschlandRadio Kultur for satellite broadcast & multiple events with audience on January the 17th. A 52mn-version will be produced and broadcast on DeutschlandRadio Kultur on January, 22.

SOBRALASOLAS! ep2 (2010) will be produced in collaboration with Locus Sonus (locusonus.org), nujus.net and creacast.com.
http://sobralasolas.org/

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Jan, 2010 - NMSAT - 2 papers
........................................................................
NMSAT, Networked Music & SoundArt Timeline :
A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening
(Jérôme Joy & Peter Sinclair)
http://locusonus.org/nmsat/

Two papers related to the presentation of NMSAT developed by Locus Sonus are published in the new issue of Contemporary Music Review :
- NMSAT, project presentation - a pool of information
- NMSAT, excerpts of the ongoing database
The NMSAT is a research project led and initiated in 2008 by Jerome Joy within the Locus Sonus lab. It is conceived as a monitor and a
pool of informations on history of networked music and sound. It aims to provide an overview of practices and techniques in the realm of networked music (telemusic) and networked sonic performance from ancient history to the present (2008), related to sound transmission and distance listening. It consists of a collection of references from various online and bibliographical documents, articles, workshop notes and so on. Currently this database comprises more than 1400 pages with around 3000 entries. The NMSAT illustrates the historical and theoretical context of networked music and soundart, and more largely of network art.
http://locusonus.org/

Contemporary Music Review, Volume 28, Issue 4 & 5 August 2009
Network Performance
http://www.informaworld.com/smpp/title~db=all~content=g917789266

Paper 1
Networked Music & Soundart Timeline (NMSAT): A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening
by Jérome Joy & Peter Sinclair
Contemporary Music Review, Volume 28, Issue 4 & 5 August 2009 , pages 351 - 361
http://www.informaworld.com/smpp/content~db=all~content=a917788629

Paper 2
Networked Music & Soundart Timeline (NMSAT) Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References
by Jérome Joy
Contemporary Music Review, Volume 28, Issue 4 & 5 August 2009 , pages 449 - 490
http://www.informaworld.com/smpp/content~db=all~content=a917788763

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Jan, 2010 - NOCINEMA.ORG at Tokyo Wonder Site
........................................................................
http://nocinema.org/
web interludes with live streaming webcams and live sound mixings (1999-2010).
a project by Jérôme Joy
with Magali Babin, Christophe Charles, DinahBird, Yannick Dauby, Chantal Dumas, Emmanuelle Gibello, Luc Kerléo, Alain Michon, Jocelyn Robert.

http://www.tokyo-ws.org/english/

Tokyo Wonder Site  (Institute of Contemporary Arts and International Cultural Exchange)
Exhibition : France / Japan: University Exchange Project DOUBLE VISION
fiction/reality relationships in present-day images
January, 22-31

For all info :
http://www.tokyo-ws.org/english/archive/2010/01/france-japan-university-...

nocinema.org will be showed at Tokyo Wonder Site (Institute of Contemporary Arts and International Cultural Exchange) in Tokyo during the "reference show" Double Vision exhibition between January the 22nd to 31st, in collaboration with the Musashino University.

On January the 7th, I will do a presentation of the nocinema project with Christophe Charles (video-conference), followed by a networked performance with Christophe Charles, Taniguchi Akihiko and me.

Nocinema.org draws upon a string of live webcams across the world, transmitting live scenes collected from different locations. While
the image is slightly manipulated, thus recalling a cinematic camera shot, the sound compositions by various artists foster the hypnotic character of the piece.

Présenté dans une version initiale au Walker Art Center à Minneapolis à la fin des années 90, nocinema.org est une application en ligne
développée par Jérôme Joy. Ce projet est un documentaire/fiction en ligne et une série d'interludes pour le web, dont les déroulements ne sont jamais identiques. Nocinema.org est en quelque sorte un cinéma improbable et un film sans début ni fin, sans acteurs ni scénario, excepté les histoires que nous pouvons nous construire en suivant le fil des images et des sons streamés.

http://nocinema.org/
http://www.tokyo-ws.org/english/

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