How to instil a timeless dimension, intrinsic to art, into one’s own work, and question at the same time scientific advances of one’s era? How to seduce conquistador-collectors in the North Pole, investors in China or Europe, with a critical eye on the alienation of our ways of life tied to the development of new technologies? How to teach the art and science correlation at the Sorbonne and prepare an exhibition at the far ends of Ural and Siberia?
Olga Kisseleva’s artwork...
