A travers cette série intitulée : "By my Smartphone" je produis chaque jour un auto-portrait a l'aide de mon Smartphone afin d'exprimer mon humeur quotidienne, a travers une palette de coleurs, de formes, et de motifs.
Dineo Seshee Bopape, "I like to remember things in my own way", 2010.
Dineo Seshee Bopape was born in 1981 on a Sunday. If she were Ghanaian, her name would be Akosua/Akos for short.
In the year of her birth, the Brixton riots took place; two people were injured when a bomb exploded in a Durban shopping centre. Bobby Sands dies, MTV is launched, the Boeing 767 makes its first air flight, Umkhonto we Sizwe performs numerous underground assault operations against the apartheid state....
Emeka Ogboh works primarily with sounds in exploring ways of understanding cities as cosmopolitan spaces with their unique characters. It has been his goal to employ field recordings to explore the history and aural infrastructure of cities, in particular his hometown Lagos, Nigeria. As a metropolis ultimately influenced by universal globalization processes, Lagos is a mélange of new and old, modern and archaic, first and third world. With an archival intent, he has recorded sounds at s...
Nonotak Studio, gathering Takami NAKAMOTO and Noémi SCHIPFER, is a Paris-based artistic collective. Their latest installation ISOTOPES v0.02, took place at the Mapping Festival 2013 in Geneva last week.
Basically, it consists in a trap of light. As a carnivorous plant, the light tries to catch the public attention, to seduce anyone passing by its rays, and to bring the public at the core of the installation. Then, the welcoming light evolves into aggressive, flashing and exhaustin...
Découvrez (et écoutez!) la vidéo teaser qui accompagne la sortie du premier album d'Exomene (www.exomene.com):
"The life and death of an unnoticed shadow"
Rappelons que Exomène est le co-fondateur du collectif l:ed (Experiments in Digital), collectif artistique dédié aux arts numériques (https://www.facebook.com/LExperimentsDigital)
C'est donc un plaisir partagé que de voir cette première ré...
Telofossiles
This interview comes from the 12th Digitalarti Mag. Read it online, for free.
Whether it’s videos or online pieces, small applications or sound installations, the artworks of Grégory Chatonsky are committed to revealing what we don’t see, or what we no longer see, to capture the traces and dig out the rhizomes, all the while being anchored in reality, in urban and human geography… Image, still or animated, and flow (technological, corporal or physical)...
Robert Henke. Photo © Jimmy Mould
This article comes from the 12th Digitalarti Mag. Read it online for free.
Strange feeling when slipping between the black curtains that block the great hall of the Lieu Unique in Nantes: a mix of curiosity, excitement, but also anxiety… This is the first time we are faced with "Fragile Territories", a tentacular installation by Robert Henke.
How did you conceive "Fragile Territories"? On which technical and conceptual basis...
Rensselaer Arts PHD Candidate, Heidi Boisvert, premieres performance at EMPAC that cultivates an expressive virtual world populated by corporeal sounds and generative imagery from dancers' bodies.
TROY, NY - April 8th, 2013 - The Arts Department at Rensselaer Polytechnic Institute announces the premiere of a mechanomyogram (MMG) multi-media production, "[radical] signs of life," on May 3rd at 4:00 pm and May 4th at 7:30 pm in Studio 2 at the Experimental Media and Perf...
incite/ live @ WRO13 - pioneering values
Fri May 10th 21:00
Pokoayhof 21:00
we're super excited to be invited to perform at the wonderful WRO biennale for the 4th (!) time in a row!
After being awarded festival prizes in 2007 and 2011, we're going to perform our polish premiere of "holistic glue"
other artists to perform@WRO13:
IP/identity problem, Telcosystems, Billy Roisz, Aki Onda, Tina Tonagel, Jozef Robakowski, Paul Destieu, Cecile Bab...
We just made a new video of our CityWalk project: better sound, better images...
A poetic and situated urban stroll...
http://www.lolaandyukaomeet.com/index.php/citywalk-paris
...
"Dream House" by La Monte Young & Marian Zazeela
This article comes from the 12th Digitalarti Mag. Read it online for free.
As far back as the early 1900’s, the Italian futurist Luigi Russolo foresaw sound as a medium by playing “noises” with the instrument he called an ‘Intonarumori’. Since then, numerous artists or sound artists have participated in what today is called Sound Art. Now art centres like ZKM in Karlsruhe, the MAC in Lyon and...
(english follows)
Événement nouveau genre, les rencontres 5@7_3D proposent le décloisonnement du milieu des arts, des nouvelles technologies et des affaires. En formule conviviale et interactive, ces soirées mettent en place une plateforme de rencontres et de réseautage, et donnent l’occasion concrète aux professionnels des trois milieux d’échanger librement. À travers cette initiative, LA CHAMBRE BLANCH...
« Le Fantôme de l’Opéra est avant tout une sorte de ballet de voix. Une chorégraphie, valse ou sabbat, dans laquelle on ne saurait distinguer entre le singulier et le pluriel. Les voix invisibles du fantôme sont partout, leurs voies semblent impénétrables » Peter Szendy, Ecoute, esthétique de l’Espionnage, Edition de Minuit, Paris, 2007.
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incite/ live @ Festival International de Art Video
Fr, April 26th
University of Casablanca
Art Video et la révolution numérique
more info soon here:
http://www.fiav.ma
...
Playmodes and MID (Media Interactive Design) are both digital research collectives based in Catalonia. They work on interactions between architecture, light & sound, to produce immersive installations thanks to DIY hardware and software developments.
Blaus was created for the Vad festival. It's an in-situ installation tailor-made for Cisterna, the Girona's history museum. "We spent a whole week working on-site, playing with lasers, motors, mirrors and sound, and ...
DOT is a video game by Henrique Roscoe. It's an audiovisual performance with synchronized sounds and images, played by a ‘game console’ built and programmed by HOL, and controlled by retro videogame (Nintendo) joysticks. The instrument is completely autonomous and works without the need of a computer, using only a projector and a sound system to play its content. Five people from the audience are invited to play the performance along with the artist, adding a random a...
